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正片
瓦尔特·梅尔卡多,Willy,Acosta,林-曼努尔·米兰达,Raul,de,Molina,欧赫尼奥·德尔维斯,Betty,Benet,Mercado,Ivonne,Benet,Mercado,Nydia,Caro,帕洛玛·莫拉莱斯,Bill,Bakula,Lawrence,Edwin,Maria,Gladys,Garcia,Bobby,Gilardi,Elizabeth,Gomez,Evelio,Gomez,Inez,Gomez
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更新至15集
瑞安·雷诺兹,罗布·麦克尔亨尼,Wrexham,A.F.C.,Phil,Parkinson
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已完结
内详
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HD
未知
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已完结
奈吉尔·巴伯
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大卫·爱登堡,格蕾塔·通贝里,苏妮塔·奈瑞
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未知
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超清
内详
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HD
Brian,Allendorfer,Bobby,Speed,Baldock,Bryon,Beck,Lance,Benson,Ralph,Bertelle,Laura,Bogan,Jason,Bortz,Eastside,Camera,Mike,Campbell,Capt.,Ret,Russ,Coons,Kevin,Cronin,Capt.,Jason,Denny,Capt.,Ret,George,Dom,George,Dom,Doug,Dumas,Capt.,Brian,Ferguson,Donna,Fl
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完结
未知
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HD
安东尼·霍普金斯,海伦·米伦,斯嘉丽·约翰逊,詹姆斯·达西,杰西卡·贝尔,托妮·科莱特,拉尔夫·马基奥,迈克尔·斯图巴
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未知
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HD
陈明章
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克雷格·福斯特,Tom,Foster
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HD
奥利维亚·罗德里戈,Dan,Nigro,Jacob,Collier,Blu,DeTiger,Towa,Bird
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正片
鲁丝·韦斯瑟梅尔
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超清
李立宏
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超清
Jack,Burkman,Elizabeth,Williamson,Molly,McKew,Troy,Michalik,Paul,Pape,Nina,Roach,Caleb,Roach,Derrick,Broze,Ross,Ramsey,Craig,Silverman,James,Alefantis,Keith,Alexander,Bryce,Reh,Daniel,Saperstein,Oliver,Darcy
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全3集
奥兰多·布鲁姆
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HD
Krista,Kiuru,迈克尔·摩尔,Tim,Walker
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HD
未知
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正片
约瑟芬·麦克亚当,克里斯·杜贝克,维奥莱特·比恩,路易·阿内特,布莱尔·杰克逊,蒙蒂·缪尔,里斯·埃弗雷特·瑞安,凯伦·戴维森
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HD国语
何为,黄诗佳,赵思玫,王鑫尧,胡天成
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HD
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The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 by Raphael.
Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 years, right up until the birth of Modernism.
As much as it was a cultural 'rebirth', the Renaissance was also a revolution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television.
As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.